A emphasized form typifies the work of Harri Ansorge not only in the "statu nascendi":
Finally released from the knowledge of the artist it still determines their inherent shape laws. At the beginning of a more complex work there often were a period of several experimentell preparatory works done, these however, different from a systematically put together convolut gather an area of tension rather than a zone of protection and safe refuge puts this beginning in perspective and allows to safe it.
The faith in progress relates more to the procedure than to a determined process.
Ansorge distrusts the non contestable and proof intentions.

From "Harri Ansorge" by Lienhard Vogels


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