A
emphasized form typifies the work of Harri Ansorge not only in the "statu
nascendi":
Finally
released from the knowledge of the artist it still determines their inherent
shape laws. At the beginning of a more complex work there often were a
period of several experimentell preparatory works done, these however,
different from a systematically put together convolut gather an area of
tension rather than a zone of protection and safe refuge puts this beginning
in perspective and allows to safe it.
The
faith in progress relates more to the procedure than to a determined process.
Ansorge
distrusts the non contestable and proof intentions.
From
"Harri Ansorge" by Lienhard Vogels
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